Collider

Tomatometer-approved publication
Rating
Title/Year
Author
1
B+
The trilogy goes out on a high note where hard choices are put above personal fulfillment and the cost of saying goodbye has a real impact. It's a bittersweet farewell.
Posted Feb 20, 2019
2
A
Xavier Burgin's documentary is not only a terrific look at black characters in American cinema, but also the importance of cinema studies.
Posted Feb 15, 2019
3
D
Donnybrook (2019)
Writer-director Tim Sutton wants to land an emotional punch about working class desperation without doing the work of creating a realistic landscape.
Posted Feb 14, 2019
4
B+
Isn't It Romantic (2019)
Todd Strauss-Schulson's delightful movie carefully walks the line between mocking romantic comedies and giving the genre a loving tribute.
Posted Feb 13, 2019
5
C-
Happy Death Day 2U (2019)
There are still some fun moments to be had and Rothe remains a charismatic force, but 2U definitely comes off as a rushed cash-in rather than a fresh idea.
Posted Feb 12, 2019
6
B
High Flying Bird (2019)
High Flying Bird is bursting with interesting ideas to the point where you wish it had more scope than it's iPhone cinematography and two-person conversations allow.
Posted Feb 8, 2019
7
B+
The Hole in the Ground (2019)
8
B
Untouchable (2019)
9
A-
Little Monsters (2019)
10
B+
The Nightingale (2019)
11
A-
The Lodge (2019)
12
C+
Wounds (2019)
The entertainment value is there and Wounds most certainly had my attention most of the way through, but the swing and miss ending makes it tough to recommend.
Posted Feb 8, 2019
13
A-
Animals (2019)
14
B+
The Mustang (2019)
15
B
Although it doesn't hit as hard as the upending of the Chosen One narrative from the first film, The LEGO Movie 2 still has some interesting things to say.
Posted Feb 7, 2019
16
C-
Troop Zero (2019)
The film leans... heavily on saccharine moments that feel like a brute force way to your heart rather than earning an emotional reaction.
Posted Feb 5, 2019
17
Aquaman (2018)
Plot-wise, the result is a hot, foamy mess, my friends, but a mess that washed over me like a tidal wave.
Posted Feb 2, 2019
18
Alita: Battle Angel (2019)
Alita: Battle Angel is an experience well-worth that extra 3D cash.
Posted Feb 2, 2019
19
B+
Cold Pursuit (2019)
Most revenge thrillers have an element of the absurd inherent in the nameless thugs who get mowed down. Cold Pursuit just has the bravado to lean into the absurdity.
Posted Jan 31, 2019
20
C-
Them That Follow (2019)
Britt Poulton and Dan Madison Savage's movie never fully empathizes with its characters, so it comes off as crass voyeurism.
Posted Jan 30, 2019
21
3.5/5
It's as candid a documentary about a "celebrity" personality as I've ever seen, and Cameron Crowe's probing questions lead to genuine insights about the brevity of human life.
Posted Jan 30, 2019
22
3.5/5
Love, Antosha (2019)
Love, Antosha is a loving, heartbreaking, but ultimately inspiring documentary about a young man who was not going to let life put him in a box.
Posted Jan 30, 2019
23
3.5/5
Luce (2019)
Luce is challenging in the best way, anchored by a tremendous ensemble and a star-making performance from Kelvin Harrison Jr.
Posted Jan 30, 2019
24
4.5/5
Blinded by the Light (2019)
I have no doubt that by the time 2019 is done, Blinded by the Light will stand as one of the year's best films.
Posted Jan 30, 2019
25
B+
Brittany Runs a Marathon (2019)
It's got the beats of a rom-com, but with the edge of an indie held together by smart storytelling and great performances, especially from lead actress Jillian Bell.
Posted Jan 29, 2019
26
B
Fighting with My Family (2019)
Stephen Merchant's wrestling film may not offer any surprises, but remains charming and funny thanks to the strong performances and sharp script.
Posted Jan 29, 2019
27
C
Official Secrets (2019)
Director Gavin Hood tells an unremarkable story about Katherine Gun's remarkable bravery.
Posted Jan 29, 2019
28
D
Relive (2019)
Jacob Estes' film starts from an interesting premise and proceeds to be as predictable as possible.
Posted Jan 29, 2019
29
D
Paradise Hills (2019)
Alice Waddington's movie cribs from sci-fi classics, but fails to add up to anything remotely interesting.
Posted Jan 28, 2019
30
B+
The Farewell (2019)
By turning cultural expectations on their head, director Lulu Wang arrives at a sweet, moving, tender story of family bonds.
Posted Jan 28, 2019
31
A-
Velvet Buzzsaw (2019)
Writer-director Dan Gilroy has a blast critiquing the commercialization of art by using the framework of a supernatural horror movie.
Posted Jan 28, 2019
32
2/5
Native Son (2019)
Ashton Sanders is downright stunning, but the film's strict adherence to the book's shocking twists and turns result in a frustratingly uneven and incongruous experience.
Posted Jan 27, 2019
33
3/5
Honey Boy (2019)
What results is a harrowing, violent, emotional film in which LaBeouf is clearly (and admirably) baring his soul.
Posted Jan 27, 2019
34
3/5
While it doesn't quite click fully into the gear it's aiming for, it touches upon some fascinating notions of human nature and boasts a truly impressive performance from Efron.
Posted Jan 27, 2019
35
C-
Hala (2019)
Minhal Baig's coming-of-age story starts from an interesting place, but can't overcome clichés and poorly defined characters.
Posted Jan 26, 2019
36
A
The Report (2019)
Scott Z. Burns' drama about the CIA's torture program plays like a great journalism thriller with a stunning lead performance from Adam Driver.
Posted Jan 26, 2019
37
A-
Director Ben Berman shows his resourcefulness and introspection in a documentary that has no choice but to look beyond its subject.
Posted Jan 26, 2019
38
D+
Hail Satan? (2019)
Penny Lane's documentary is incredibly entertaining for the first 20 minutes but becomes a slog as it misses more interesting questions about The Satanic Temple.
Posted Jan 26, 2019
39
A-
Late Night (2019)
The story comes alive with sharp humor and sharper observations about gender and comedy.
Posted Jan 26, 2019
40
C-
Troupe Zero (2019)
Bert & Bertie's movie seems afraid of genuine emotions so it piles on the quirk and cloying moments rather than going for anything honest or difficult.
Posted Jan 25, 2019
41
B+
Maiden (2019)
Alex Holmes' documentary may not hold many surprises, but it tells a crowd-pleasing story of human perseverance and combating sexism.
Posted Jan 25, 2019
42
B
The film is at its best when it examines how Elizabeth Holmes conned so many prominent people rather than the figure of Holmes herself.
Posted Jan 24, 2019
43
B+
Serenity (2019)
What's being sold as a sultry thriller is only what's on the surface of a movie with an absolutely bonkers twist.
Posted Jan 24, 2019
44
B-
Fyre Fraud (2019)
The Hulu documentary gets into some of the larger ramifications of Fyre Festival, but the glib tone undermines the seriousness of the situation.
Posted Jan 18, 2019
45
B
Fyre (2019)
Chris Smith's documentary provides the basics of how Fyre Festival went wrong, but it never dives deep into the larger issues surrounding 21st century con artists.
Posted Jan 18, 2019
46
4/5
Dragon Ball Super: Broly (2019)
It's a knock-down, drag-out battle between the series' biggest brawlers, and it's a real spectacle to behold. You'll need a senzu bean after this one.
Posted Jan 16, 2019
47
B
Glass (2019)
48
A-
The Kid Who Would Be King (2019)
It's good that there's a film like The Kid Who Would Be King for pre-teens who not only want to go on a fun quest, but will feel ready to take on a divided world as a result.
Posted Jan 14, 2019
49
B-
Escape Room (2019)
Although it has some solid PG-13 thrills, Escape Room eventually overstays its welcome.
Posted Jan 3, 2019
50
A-
Minding the Gap (2018)